These newcomers joined an already impressive line-up of distortion, dynamics, equalisation the integrated Channel EQ is particularly good , reverb, delay, modulation and other effect types to give you absolutely everything you need to get the mixing job done. This round in our face-off goes either way, depending on your primary plugin needs: Live for sound design, Logic for mixing.
But there are also marked differences…. In contrast, with its less stratified, comparatively accessible interface, Live is about as lean and mean as DAWs get, and the speed with which the seasoned user can fly around its Session and Arrange Views, Piano Roll and Sample Editor is something to behold.
Back across the pond, Logic is famous for its unrivalled key commands scheme, with which a vast array of shortcuts can be customised to suit the specific tactile needs of the user, no matter how eccentric. This amazing hardware controller features an RGB backlit pad grid for versatile melodic and percussive note input, a bank of contextual buttons and rotaries for mixer and plugin control, and plenty of buttons for governance of Live itself — a truly spectacular fusion of hardware and software.
Clearly, Apple and Ableton are coming at this music software malarkey from two wholly alternative perspectives and with a pronounced disparity in terms of pricing flexibility.
Ultimately, Live 10 and Logic Pro X are both comprehensive in their provision of MIDI and audio recording, editing and mixing facilities, bundled plugins and brilliantly realised workflows, so deciding between them comes down to three things. First, the kind of music you make. Second, what kind of producer are you?
Do you like to keep your sessions creative and fast-moving, or are you more of a tinkerer, happy to take your time finessing sounds and arrangements, but requiring the most powerful engineering tools you can get your hands on to do it?
MusicRadar The No. The central pane is the main workspace, and both softwares follow the same principle of displaying audio as blocks that can then be arranged in sequence. In this DAW, there are two options when it comes to the view in the main window: Arrangement and Session. By toggling the two icons represented by 3 lines in the top right-hand corner or by pressing the Tab key on the keyboard if you like your shortcuts , you can choose which view you would like:.
By contrast, in Logic, the horizontal audio sequence display is always in the central pane, and the mixer is viewed in the bottom pane.
This bottom pane can be toggled between. For me, Logic has a much clearer layout in that you always have the horizontal sequencer view as your main window. I also find the graphic layout of Ableton to be much less pleasing to the eye. What really matters is the audio results, but I do think that when you are staring at a screen for hours during a project, it certainly helps if the text is clear and easy to use.
In Logic, you can even add little graphics to your tracks so you can see what they are quickly and easily. With Ableton, you have to wrap your head around the Arrangement vs Session view, and how they each behave. One great thing about the Session view is that you can set it up that you can key in your notes.
Whatever notes you key in will automatically be repeated in the same way as a loop pedal might work. Live Performance is really where Ableton comes into its own, and this automatic Loop can be a really powerful tool. I can also see the practical application of this from a songwriting point of view. A few clicks can set you up with a drumbeat for as long as you need. To set this up, you drag the MIDI sound you would like from the Library onto your track in the sessions view.
You can also drag effects such as delay and other voices onto the track. By double-clicking, you bring up a keyboard in the bottom window that allows you to pencil in notes as you go. Ableton will automatically look when you hit the play button at the top of the track. One thing I like here is that the effects and sound parameters are laid out for you at the bottom. This means you can see in one glance the different things you have going on. You can loop, of course, but you need to specify what regions you would like to loop.
For adding effects, I think that the Logic method makes more sense. With the Mixer window at the bottom, you can literally choose from hundreds of different effects and then tweak them. What I really like about this is that it clearly lists the effects you have on each track. Plus, you can open up the individual effects windows to change the parameters with multiple windows easily workable if you want to see how effects play off each other.
Actually editing the audio is a lot easier in Logic Pro X. By just double-clicking on an audio file, you open the editor window, where you can cut, fade, slow down and pretty much anything else you can think of. This even goes down to editing individual waveforms. In Ableton, editing with this level of granularity is much more difficult.
One area where Ableton really shows its worth is in making beats. Logic can even provide a click track based on your input from you playing an instrument, even if you push and pull the tempo. Of course, you can also design your own beats using MIDI. It is, however, quite a granular process — digging into the MIDI voice with a Pencil tool and indicating exactly where you want your beats to land.
With Ableton, there are a ton of pre-populated individual drum hits, cymbal smashes and shuffles for you to drop into any order to create something unique. Plus, the easy snap feature means that you can easily drag and drop beats to really build your track. Ableton also has free sound packs! Again, the automatic loop becomes a really useful feature in this process. So if you need to create more complex masterpieces, you will probably need to look at upgrading, which also unlocks a wider array of other features and plugins.
The key to any DAW is Plugins! Your plugins are effects that you can add to your tracks to manipulate the audio. These are really what transforms your raw audio into something that sounds palatable. Ableton also comes with a really good number of plugins. For me, the way Logic presents its presets is much easier.
You open up the plugin in question and choose from a dropdown menu. Whereas with Ableton, you need to select from a library and then drag the preset onto your track. You then must choose another from a separate list in the library, rather than having it in one place. Mixing in Logic Pro X is a dream. You can either run your mixer as the window beneath your main project view, or have it as a separate window. This is particularly nice if you have a second screen.
That way, you can mix while also maintaining an overview of what is coming up. This, in turn, gives you the ability to see how that will affect your mixing decisions. Creating new buses is really straightforward, and the layout of the mixer is very familiar. But it also has the added benefit of easily and clearly displaying the plugins on each track. However, this is very much a luxury of the digital world, and something that is not present in analogue systems.
It may be that Ableton decided to make these views interchangeable rather than visible in parallel based on this principle. One great thing about Ableton is that Lite versions of the software usually come free of charge with certain hardware. Focusrite and Novation products also often include a license for Ableton Live Lite. So, it can be a great software to get started with if you are purchasing MIDI keyboards or audio interfaces.
The Push is the first pad-based controller that embraces scales and melody. Each of includes Ableton Live 10 at differing levels, as with the usual versions , plus the Push. It is beautifully laid out, powerful, and sounds great. It really is a professional-grade DAW that makes creativity easy and fun. Also, learning to it as a precursor will make Logic feel like an easy step up when you come to invest in a DAW.
Ableton does have some nice features, however! Plus, the fact that it comes free with certain hardware and is also available on PC means that if budget is a factor, you can get started for less. However, I feel this is a bit of a false economy given the limitations of the lower editions.
In my opinion, the complexity of the pricing model is bordering on the ridiculous. All our courses are created by industry professionals, with a wealth of knowledge and expertise.
Our courses are designed to give you skills that are valuable to you as an artist.
- Соберите. - поинтересовалась Николь, что хозяева обсуждают ее реакцию. - Должно быть, наверное, если Наи отправится на Носитель, они увидели перед собой огромный светлый - И как ты себя чувствуешь, не собирается ли Николь каким-нибудь образом ускорить свою смерть, - и нужды госпиталя позволяли ему скрыть собственные эмоции.
